It wasn't too hard to work on the cast shadows that the apples are throwing onto the wood background; it doesn't require too much skill or concentration. I met a painter up in Massachusetts this past summer who was using a color I'd never heard of before: Asphaltum. It's a transparent brown, and it worked perfectly to create those shadowy areas today.
I still don't feel ready to tackle any of the other oil paintings.
The Arrow of Time, © 2016
You can check this one against earlier entries below.
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