I'm trying to utilize all of the good advice I've gotten over the last two years about painting the face. It's been working well on the Waiting At Le Diplomate painting (below) but I'm struggling withthis one. Part of the problem is that the model was looking up, and I really wanted a side glance; trying to redraw the eyes the way I want them to be is proving a challenge, as I'm having to fake it concerning structure.
Meanwhile, I made a useful discovery yesterday: Permanent Carmine is much better for flesh tones than the cadmium colors I've been using. I especially like the way it mixes with ochres and siennas for anybody with a tan.Untitled Mulberry Street Piece, © 2021, work in progress (click on image for larger view)