I really didn't want to work on this today, but forced myself. One thing that has always caught my attention was the face of the young woman in the foreground; I thought I could do better and give her some more light and color. That, at least, worked out well, and I painted a lot of the foreground woodwork and tabletops, too. But there's SO much left. The seated patrons. The ceiling. The walls around the sconce lights. Bah.
A Quiet Evening In Cambridge; © 2020, work in progress (click on image for larger view)
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