In getting down to the end on this one, I have to be careful not to smear any of the recently painted areas. I count about a dozen places left, mostly small; some of the flesh tones, the strings that support the hanging objects on the left side wall, the hair on the kneeling woman and both the level she holds and its shadow; the most work that needs to be done is on the ladder.
I've gone over this painting with the proverbial fine-toothed comb. As with the one above, there is only a finite amount left to do, mostly sharpening up the edge lines on the floor tiles and the bottom of the rightmost chair.
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